Golden Daughter - Cover Reveal!

Hello, one and all! Today, is a pretty exciting day. I have the wonderful pleasure of being part of the Cover Reveal for Anne Elisabeth Stengl's next installment in her Tales of Goldstone Wood fantasy adventure series: Golden Daughter! This book follows Heartless, Veiled Rose, Moonblood, Starflower, Dragonwitch and Shadow Hand (coming March 4, 2014). From the little I have shared on this blog, you might know that The Tales of Goldstone Wood is one of my favourite modern fantasy books out there, so I really recommend this series for any lover of the fantasy/allegorical novel.
Without any further ado...

Masayi Sairu was raised to be dainty, delicate, demure . . . and deadly. She is one of the emperor’s Golden Daughters, as much a legend as she is a commodity. One day, Sairu will be contracted in marriage to a patron, whom she will secretly guard for the rest of her life.

But when she learns that a sacred Dream Walker of the temple seeks the protection of a Golden Daughter, Sairu forgoes marriage in favor of this role. Her skills are stretched to the limit, for assassins hunt in the shadows, and phantoms haunt in dreams. With only a mysterious Faerie cat and a handsome slave—possessed of his own strange abilities—to help her, can Sairu shield her new mistress from evils she can neither see nor touch?

For the Dragon is building an army of fire. And soon the heavens will burn.

Timeless Fantasy That Will Keep You Spellbound!
Anne Elisabeth Stengl's blog: Tales of Goldstone Wood
GOLDEN DAUGHTER official website:
Julia Popova, cover designer

Excerpt from Chapter 3

Sairu made her way from Princess Safiya’s chambers out to the walkways of the encircling gardens. The Masayi, abode of the Golden Daughters, was an intricate complex of buildings linked by blossom-shrouded walkways, calm with fountains and clear, lotus-filled pools where herons strutted and spotted fish swam.
Here she had lived all the life she could remember.
The Masayi was but a small part of Manusbau Palace, which comprised the whole of Sairu’s existence. She had never stepped beyond the palace walls. To do so would be to step into a world of corruption, corruption to which a Golden Daughter would not be impervious until she was safely chartered to a master and her life’s work was affixed in her heart and mind. Meanwhile, she must live securely embalmed in this tomb, waiting for life to begin.
Sairu’s mouth curved gently at the corners, and she took small steps as she had been trained—slow, dainty steps that disguised the swiftness with which she could move at need. Even in private she must maintain the illusion, even here within the Masayi.
A cat sat on the doorstep of her own building, grooming itself in the sunlight. She stepped around it and proceeded into the red-hung halls of the Daughter’s quarters and on to her private chambers. There she must gather what few things she would take with her—fewer things even than Jen-ling would take on her journey to Aja. For Jen-ling would be the wife of a prince, and she must give every impression of a bride on her wedding journey.
I wonder who my master will be? Sairu thought as she slid back the rattan door to her chamber and entered the quiet simplicity within. She removed her elaborate costume and exchanged it for a robe of simple red without embellishments. She washed the serving girl cosmetics from her face and painted on the daily mask she and her sisters wore—white with black spots beneath each eye and a red stripe down her chin. It was elegant and simple, and to the common eye it made her indistinguishable from her sisters.
The curtain moved behind her. She did not startle but turned quietly to see the same cat slipping into her room. Cats abounded throughout Manusbau Palace, kept on purpose near the storehouses to manage the vermin. But they did not often enter private chambers.
Sairu, kneeling near her window with her paint pots around her, watched the cat as it moved silkily across the room, stepped onto her sleeping cushions, and began kneading the soft fabric, purring all the while. Its claws pulled at the delicate threads. But it was a cat. As far as it was concerned, it had every right to enjoy or destroy what it willed.
At last it seemed to notice Sairu watching it. It turned sleepy eyes to her and blinked.
Sairu smiled. In a voice as sweet as honey, she asked, “Who are you?”
The cat twitched its tail softly and went on purring.
The next moment, Sairu was across the room, her hand latched onto the cat’s scruff. She pushed it down into the cushions and held it there as it yowled and snarled, trying to catch at her with its claws.
“Who are you?” she demanded, her voice fierce this time. “What are you? Are you an evil spirit sent to haunt me?”
“No, dragons eat it! I mean, rrrraww! Mreeeow! Yeeeowrl!
The cat twisted and managed to lash out at her with its back feet, its claws catching in the fabric of her sleeve. One claw scratched her wrist, startling her just enough that she loosened her hold. The cat took advantage of the opportunity and, hissing like a fire demon, leapt free. It sprang across the room, knocking over several of her paint pots, and spun about, back-arched and snarling. Every hair stood on end, and its ears lay flat to its skull.
Sairu drew a dagger from her sleeve and crouched, prepared for anything. The smile lingered on her mouth, but her eyes flashed. “Who sent you?” she demanded. “Why have you come to me now? You know of my assignment, don’t you.”
Meeeeowrl,” the cat said stubbornly and showed its fangs in another hiss.
“I see it in your face,” Sairu said, moving carefully to shift her weight and prepare to spring. “You are no animal. Who is your master, devil?”
The cat dodged her spring easily enough, which surprised her. Sairu was quick and rarely missed a target. Her knife sank into the floor and stuck there, but she released it and whipped another from the opposite sleeve even as she whirled about.
Any self-respecting cat would have made for the window or the door. This one sprang back onto the cushions and crouched there, tail lashing. Its eyes were all too sentient, but it said only “Meeeeow,” as though trying to convince itself.
Sairu chewed the inside of her cheek. Then, in a voice as smooth as butter, she said, “We have ways of dealing with devils in this country. Do you know what they are, demon-cat?”
The cat’s ears came up. “Prreeowl?” it said.
“Allow me to enlighten you.”
And Sairu put her free hand to her mouth and uttered a long, piercing whistle. The household erupted with the voices of a dozen and more lion dogs.
The little beasts, slipping and sliding and crashing into walls, their claws clicking and clattering on the tiles, careened down the corridor and poured into Sairu’s room. Fluffy tails wagging, pushed-in noses twitching, they roared like the lions they believed themselves to be and fell upon the cat with rapacious joy.
The cat uttered one long wail and the next moment vanished out the window. Sairu, dogs milling at her feet, leapt up and hurried to look out after it, expecting to see a tawny tail slipping from sight. But she saw nothing.
The devil was gone. For the moment at least.
Sairu sank down on her cushions, and her lap was soon filled with wriggling, snuffling hunters eager for praise. She petted them absently, but her mind was awhirl. She had heard of devils taking the form of animals and speaking with the tongues of men. But she had never before seen it. She couldn’t honestly say she’d even believed it.
“What danger is my new master in?” she wondered. “From what must I protect him?”
illustration by Hannah Williams
Anne Elisabeth Stengl is the author of the award-winning Tales of Goldstone Wood series, adventure fantasies told in the classic Fairy Tale style. Her books include Christy Award-winning Heartless and Veiled Rose, and Clive Staples Award-winning Starflower. She makes her home in Raleigh, North Carolina, where she lives with her husband, Rohan, a passel of cats, and one long-suffering dog. When she's not writing, she enjoys Shakespeare, opera, and tea, and practices piano, painting, and pastry baking. She studied illustration and English literature at Grace College and Campbell University.

GIVEAWAY: In anticipation of the release of Golden Daughter, Anne Elisabeth Stengl is offering any two of the first six Goldstone Wood novels as a giveaway prize for one happy winner! Winner’s choice of: Heartless, Veiled Rose, Moonblood, Starflower, Dragonwitch, or Shadow Hand which will be coming out Spring (or Autumn in Australia) of 2014. If you'd like a chance to win two books from this wonderful series, be sure to enter the Rafflecopter below!

a Rafflecopter giveaway


  1. That. cover. is. GORGEOUS. O.O

    I must, simply must, read this series!

    1. And my fave of the covers are Heartless and Golden Daughter. *nod* =)

    2. Annie, you positvely must read this series. It shall be my mission to see that you do ;)

  2. I think Blogger ate my first comment!

    I'm intrigued by your recommendation of these books, Joy, and though I'm trying to balance out my fantasy reads right now, I have definitely added it to my Books of Interest list. They look great. :) I actually had the opportunity to read Golden Daughter for review, but I chose to pass it up because I hadn't read any of the others. It made me sad, but the timing just wasn't right. :)

    And I think Heartless is definitely my favorite cover design. The girl in the dragon's eye is gorgeous, exciting, and intriguing all in one. :)


  3. You did a good job at this book recommendation, Joy, dear! Well done! :)

  4. My favourite book covers are that of Shadow Hand and Moonblood!

  5. Schuyler,

    I really think you'd more than enjoy 'The Tales of Goldstone Wood' series. <3 Once you've had a bit of a 'fantasy' break, I am excited for you to check them out =). Also, keep in mind that her works get better and improve as the series progresses - allegorically, thematically, character-wise, plot wise... and in writing style too (Heartless was... good, Dragonwitch was powerful!). She gets pretty amazing, actually!! :D

    I just got her latest book 'Shadow Hand' and am so very excited to dig-in-and-read! Nice cover-favourite choices =).

    But what?! You refused a review copy of 'Golden Daughter'. Humph! Well, yes, it would be a tad more challenging to enjoy such a later book, though I understand that one is rather unconnected to the others, as are some of her other books, and can be read alone, though all the better together. I read Heartless first, than Dragonwitch (and missed only a few things from the previous works), read her novella 'Goddess Tithe' than went back and read 'Veiled Rose' 'Moonblood' and 'Starflower'. I understood things pretty well, actually :)

  6. Thank you, Sarah! You really must read this series =)


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